William Wordsworth was a prima figure in the Romantic motion and although many of his verse forms deal with rural subjects Upon Westminster Bridge describes a really urban landscape.
The poetWilliam Wordsworth was one of the major poets of the Romantic motion in Britain. and his poesy is by and large focused on nature and man’s relationship with the natural environment. Many of his verse forms are focused on the landscapes of the Lake District. paying peculiar attending to the power of nature and the ordinary people populating and working on the land. This verse form is possibly a small unusual for Wordsworth as it takes the metropolis of London as its topic.
RomanticismWilliam Wordsworth is an of import Romantic poet. Along with poets like Samuel Taylor Coleridge. Wordsworth’s Romantic poesy focuses on feelings and emotions. frequently those provoked by interacting with nature. Other facets of Romantic poesy are creativeness and a less formal attack to the composing of verse forms than the period instantly before Romanticism.
SubjectThe verse form is about the experience of traversing Westminster Bridge early in the forenoon and seeing the composure and beauty of the metropolis of London. The verse form describes the metropolis in a really positive manner. pass oning its power and ‘splendour’ .
Wordsworth suggests that the position of the metropolis is a rival for anything of course happening: ‘Earth has non anything to demo more fair’ is the gap line.
The usage of the word ‘smokeless’ in line 8 gives the reader a hint about why this scene is so powerful. Under normal fortunes. the fume from places and mills would hold obscured the position of the metropolis ; it is as if the talker is sing the true beauty of the metropolis for the first clip.
Upon Westminster Bridge is a sonnet praising the beauty of London and comparing it favorably to the admirations of nature.
StructureThe verse form is a sonnet. a format most normally associated with love poesy. which reflects Wordsworth’s feelings for his capable affair. Sonnets tend to hold 14 lines and a regular rime strategy. and this verse form follows that form. although non purely. Romantic poets rejected the confines of pre-determined construction.
Wordsworth delays uncovering the topic of the verse form until the 4th line ; he creates expectancy in the reader utilizing this technique. This construction reflects the speaker’s ain realization of the scene before him.
Wordsworth writes with an intense passionate in congratulations of London.
Attitudes and ideasIn this poem Wordsworth links the metropolis of London to the power and beauty of nature. The talker is dismissive of those who can non see things as he does: he describes anyone who is non moved by the scene he is showing in the verse form as being “Dull … of the soul” .
Towards the terminal of the verse form the talker exclaims “Dear God! ” . bespeaking the power of this experience. As with Wordsworth’s nature verse form. the speaker’s reaction to what he is meeting reveals a powerful religious consequence.
You may wish to compare Upon Westminster Bridge to London by William Blake.
ComparisonIf this verse form is considered aboard William Blake’s London. the differing attitudes are striking. Whilst this verse form is positive. Blake is concerned with the negatives of life in London. Wordsworth here is concentrating on the metropolis in the forenoon. and does non advert seeing people. Blake’s verse form is about the effects of the metropolis on its dwellers.
Wordsworth’s line “The river glideth at his ain sweet will’ is arguably a witting rejection of Blake” description of the “charter’d Thames” . Unlike Blake’s talker. the talker in this verse form seems to believe in the power of nature to prevail alongside the semisynthetic metropolis. even that it is perfected by the metropolis.
Sample AnswerThe verse form Begins by asseverating that what is about to be described ( the metropolis. we learn on line 4 ) surpasses anything else on Earth. and that anyone who can go through by “A sight so touching” must hold a “Dull … soul” .
The metropolis is personified as a individual dressing in “The beauty of the morning” as if it is a “garment” . This suggests that the metropolis is utilizing nature to go perfected.
The metropolis described in the verse form is “glittering in the smokeless air” . which possibly shows us that this juncture is exceeding and that usually the “majesty” of the metropolis is hidden by the fume.
The metropolis has a hush and a composure which the talker claims can non be bettered by nature. The talker celebrates the size and beauty of the metropolis and is in awe of its visual aspect in the early forenoon sunshine.
The river is besides personified. traveling calmly and with full control through the metropolis. The talker presents the metropolis as if it is incapable of being restricted or controlled by anyone.
The concluding lines of the verse form offer a strong sense of the possible the talker sees in the metropolis. It is as if it is a great animal which is resting. connoting that shortly it will be transformed upon waking.
There are no people described in the verse form other than the talker. proposing that even metropoliss can offer the infinite to reflect on one’s reaction to the environment. an of import component of Romantic poesy.
Mention: “Upon Westminster Bridge” by William Wordsworth